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Winner of the Reader’s Choice Award of 2022 Big Book Literary Award
Shortlisted for the 2022 Big Book Literary Award
Longlisted for the 2023 Prix Médicis Étranger (France)
Shortlisted for the 2024 Prix Montluc Résistance et Liberté (France)
During the last years of the Russian Civil war (1917-1922), the bony hand of famine strangled a heartland of Russia. The territory devastated most completely stretched along the Volga basin all the way from the Tatar Republic down to the river’s mouth, and it extended far north, east, and west. The long period of war had removed hundreds of thousands of peasants from the soil; also, the Bolsheviks’ policy of grain requisitioning (not to mention similar measures taken by their opponents), diminished food reserves. A severe drought blighted the crops of the Volga basin by the summer of 1921, inaugurating a catastrophe destined to claim at least five million lives. For nearly two years, chilling accounts surfaced from the famine region, describing a population driven to ever more wretched extremes by hunger. A variety of emergency measures, none more dramatic than mass evacuations of juveniles by railway transportation from afflicted provinces, were undertaken by the Bolsheviks. Altogether, the government evacuated approximately 150,000 children, a majority of them appear to have been orphans or otherwise homeless.
Action of Guzel Yakhina's novel Train To Samarkand takes place on one of these trains evacuating 500 hungry children from an orphanage in Kazan to a southern city of Samarkand in October, 1923. Rail convoy's commander Deyev, a young Civil war veteran with a compassionate and tender character, is accompanied and supervised by a children commission representative Belaya, a strong-willed Bolshevik woman. They are two opposite extremes united by a shared purpose of saving children's lives at all costs. Their journey lasts six weeks and four thousand miles.
Yakhina's Train To Samarkand is an adventure novel set on a backdrop of the most troublesome historical period in Russian history, a modern robinzonade, a travel story of epic drama caliber. A series of scary adventures along the way of Deyev's train—getting food or medical supplies for his young charges, finding a nurse for a newborn baby, wandering in the desert, clashing with gangs—are written as if they were a mythical events, but with extreme realism and vividness. Deyev, like his legendary predecessors—Odysseus, Hercules, Jason— on his way opposes to the absolute Evil, Death, coming to him in various guises—as Hunger, Disease, or Murder. At the same time, a constant suspense of their journey, a feeling of danger, and expectation of a tragedy, is masterfully seasoned by the author with unexpectedly touching and somewhat comic situations and mise-en-scenes.
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Winner of the 2020 Giuseppe Tomasi di Lampedusa International Literary Award (Italy)
Finalist of the the 2020 EBRD Literature Prize (UK)
Winner of the 2018 Abolhassan Najafi Award for the best translated novel (Iran)
FInalist of the Prix Médicis award (2017, France)
Prix du magazine "Transfuge" (2017, France)
Winner of the 2015 Big Book literary award
Winner of the People's Choice open online voting for the 2015 Big Book literary award
Winner of the 2015 "Ticket to the Stars" prize
Winner of the 2015 Best Prosaic Work of the Year prize
Winner of the 2015 Yasnaya Polyana award
Winner of the People's Choice open online voting for the 2015 Yasnaya Polyana award
Finalist of the 2015 Russian Booker literary award
Finalist of the the 2015 NOS literary award
Guzel Yakhina’s debut novel Zuleikha Opens Her Eyes is an enjoyable and smooth novel, unpretentious mainstream historical fiction that covers a lot of cultural, ethnic, religious, and sociopolitical issues.
The novel begins in 1930 in a Tatar village, from which a kulak woman Zuleikha is quickly sent into exile after her husband is murdered by communists. Zuleikha’s own life — after seeing her husband killed, after a horrendous train trip to a spot on the Angara River where her group of exiles will settle, and after a difficult first winter that kills many — settles into a new routine with characters nothing like her village neighbors. The characters are many but distinct, and they include a rather dotty doctor, an artist who paints on the sly, and urbane city dwellers who remember past European travels, as well as Ignatov, Zuleikha’s husband’s killer. Ignatov is persuaded to remain in the settlement, as its commandant, and he stays because of his own political issues back in Kazan. Most important, there is Zuleikha’s son Yuzuf, born in the settlement, who develops an interest for art and learns to paint.
Yakhina’s writing is simple, albeit sprinkled with Tatar words (there’s a glossary). Yakhina herself has said that the novel is about how Zuleikha wakes up, opens her eyes to the world, and finds happiness, albeit a bitter one. Another is, again, Yakhina’s ability to use a simple structure and language to tell her story, all as she plants details that will have meaning later in the book.
Guzel Yakhina´s novel hits directly in the heart. It’s a powerful praise for love and tenderness in hell.
Ludmila Ulitskaya
There’s something that Guzel Yakhina succeeded to transmit with amazing, sharp exactness: women’s attitude towards love. Not towards the subject of love, but towards the love itself.
Anna Narinskaya, literary critic
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