Featured titles
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A TRACE IN THE FOOTPRINT, a novel by Vladimir Sharov
Rights sold: Russia - OLMA, ARSIS BOOKS, World Arabic - DREAMBOOK
A Trace in the Footprint is a family saga set in twentieth century Russia. The plot follows a character named Fyodor who begins to research the genealogy of his adoptive father, Golosov. This leads to the unraveling of a whole century of family history beginning with his great-grandfather. Fyodor soon discovers that his family’s history is inextricably linked to that of the Socialist Revolutionaries, the political party that would eventually split into the Bolsheviks and Mensheviks. The novel depicts the changes in Fyodor’s family after being forced to adapt to the political and social changes that took place after the 1917 Bolshevik Revolution. Critically, the novel was praised for its classical narration reminiscent of Tolstoy’s realism.
Once published in hard copy in 1992, the book sold over 25,000 copies in Russia.
Sharov’s A Trace in the Footprint has been compared by critics to the 1967 novel One Hundred Years of Solitude by Gabriel Marquez. Where Sharov’s story follows a Russian family, Marquez’s novel tells a multigenerational story of the Buendia family from Colombia. Similarly to Sharov, Marquez’s story plunges into the true events that occurred but places a fictional family at the forefront. The result of the novels is the same, although fictional, the novels recreate the emotions felt in times of historical turmoil. Both stories accurately depict a family struggling to keep up with the socio-political changes that happen around them.
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Ancestor, a novel by Vladimir Makanin (1982)
Rights sold: Germany - Volk u. Welt, Spain - Alfaguara, Marbot
A satirical vision of the Soviet Union at the times of the Thaw.
Central figure of Makanin´s Ancestor is Old Yakushkin, a healer who has the gift of curing the terminally ill pacients abandoned by official medicine. His healing methods cannot be less orthodox: he waits for the patient to have a crisis to yell at him, shake him, torment his spirit until all his resistance is broken. The satisfactory cure of the dying man is obtained on the basis of terrible speeches and very little food. With irony and pathos, wit and malice, Makanin introduces us to the feverish Yakushkin in all his heartbreaking spiritual evolution: a young playboy, he was accused of fraud and confined to a labor camp in Siberia, where by accident he discovered in himself a healing gift. Makanin's hero recalls the great protagonists of the classical Russian literature.
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