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News

Articles
Title
NEW RELEASE: Buida's STALEN in France
NEW RELEASE: Shevelev's NOT RUSSIAN in France
Daniel Stein, Interpreter finalist of Kulturhuset Stadsteatern prize
NEW RELEASE: Yakhina's TRAIN TO SAMARKAND in Romania and Bosnia
Yakhina's novel is a finalist of the 2021 Prix Médicis
Yakhina's novel longlisted for the Prix Médicis
Guzel Yakhina longlisted for the 2021 European Literature Prize
Natalya Semenova wins the Art Newspaper Russia Prize
NEW RELEASE: My Father's Letters. Correspondence from the Soviet GULAG in English
NEW RELEASES: Ulitskaya's JUST THE PLAGUE in Russia, Hungary, Germany, and France
March 5, 2021: www.elkost.com is back
ELKOST website is off for maintenance
ELKOST agency at the 2019 Frankfurt book fair
Guzel Yakhina´s US tour, May 2019
Bucharest University confers honorary doctorate on Ulitskaya

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Featured titles

  • Eisen, a novel by Guzel Yakhina (2025)

    Rights sold: Croatia - HENA, Czech Republic - PROSTOR, Estonia – TANAPAEV, France - NOIR SUR BLANC, Germany - KANON VERLAG, Hungary - HELICON, Italy - E/O, Netherlands - QUERIDO, Poland - NOIR SUR BLANC, Romania - HUMANITAS, Russia - AST, Serbia - LAGUNA, Spain - ACANTILADO, Turkey - ALFA, World English - EUROPA EDITIONS UK/USA, World Arabic - RASHM

    Sergei Eisenstein remains among the most famous and revered figures in the history of world cinema. His masterpieces Battleship Potemkin, October, ¡Que viva México!, Ivan the Terrible, and the destroyed Bezhin Meadow, have been vigorously studied and became – along with most of Eisenstein’s theoretical writings – an integral part of the programs of all film schools. Naturally, anyone who pretends being a cinema connoisseur has at least once seen one or two of Eisenstein’s movies.

    Eisenstein, who was a famous movie director and theorist, wrote a lot about the art of cinema, about himself and his contemporaries, and left after himself a huge archive of drawings and diaries, thus reliably fixing his place in history. However, Sergei Eisenstein has never been a main hero of any work of literary fiction. Guzel Yakhina's novel is the first literary biography of the legendary director whom his closest friends nicknamed Eisen.

    Yakhina tells Eisenstein's personal story through the process of making films, from the first to the last; the movements of his artistic soul, the conflicts and other circumstances that shaped Eisen's personality are examined through the prism of the his main passion, and masterfully woven into a vivid fabric of artistic text.

    Eisenstein's creative process is the nerve of her narrative covering his entire life against the backdrop of wars and revolutions that shook the world in the first half of the 20 century. The people surrounding Eisen – his family, colleagues, women, bosses, actors, – are all involved in his mono-performance. Yakhina’s protagonist seeks and finds ways to always remain in the center of attention, to evoke strong feelings he so desperately needs; he manipulates the emotions of both his loved ones, and of the audience.

    A literary biography created by Yakhina not only explores the nature of Eisenstein’s personality and genius. By bravely expanding the boundaries of her narrative, she analyzes the nature of art in a totalitarian state. Eisenstein reaches the pinnacle of self-expression by subjugating History, which is exactly what the young Soviet state demanded: to give the masses a new History that would replace the old, outdated one. Having once discovered the main secret of cinema and other visual arts, – “people believe what we show on the screen, so what we show eventually converts into the truth”, – Eisen develops and perfections his own artistic method consisting in triggering a strong emotional response in his viewers, and ingeniously realizes the concept of art under totalitarianism, replacing critical perception of reality by an invented, cinematic reality. According to Yakhina, the price paid by Sergei Eisenstein for this secret knowledge, for the power he gained over the audience, and for resulting world fame is quite similar to that of Dr. Faustus's.

    Read more...
  • THE REHEARSALS, a novel by Vladimir Sharov

    Rights sold: France - Solin-Actes Sud, World English - DEDALUS, Russia - ARSIS BOOKS, AST, Serbia - UTOPIA, Slovenia - DRUŽINA

    In this novel, Sharov’s main character is an up-and-coming medieval historian, who is given old manuscripts by a mysterious figure. In these manuscripts, he uncovers the diaries of a seventeenth century Frenchman, Jacques de Sertan, who is writing a play about the life of Christ. The novel then follows a small Russian community that acts out Sertan’s work. The community is followed from the Old Believer schism of 1666 to the beginning of the Soviet period and the horrors of the Gulag, where the small community, once blooming with life, turns into a labor camp. In Russia the novel was praised for its in-depth look at the repercussions of communism on a rural community.

    The novel was also well received by readers and has sold over 30,000 copies in Russia alone.

    A stunning reflection on art, history, religion and national identity, The Rehearsals is the seminal work in the unique oeuvre of Vladimir Sharov

    Read more...

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