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News

Articles
Title
MEMORIAL International awarded the 2021 JAN MICHALSKI PRIZE FOR LITERATURE
RIP Marietta Chudakova (1937-2021)
Yakhina's novel named the best translated novel of the 2021 in France
NEW RELEASE: Yakhina's Children of the Volga in Serbia
NEW RELEASE: Buida's STALEN in France
NEW RELEASE: Shevelev's NOT RUSSIAN in France
Daniel Stein, Interpreter finalist of Kulturhuset Stadsteatern prize
NEW RELEASE: Yakhina's TRAIN TO SAMARKAND in Romania and Bosnia
Yakhina's novel is a finalist of the 2021 Prix Médicis
Yakhina's novel longlisted for the Prix Médicis
Guzel Yakhina longlisted for the 2021 European Literature Prize
Natalya Semenova wins the Art Newspaper Russia Prize
NEW RELEASE: My Father's Letters. Correspondence from the Soviet GULAG in English
NEW RELEASES: Ulitskaya's JUST THE PLAGUE in Russia, Hungary, Germany, and France
March 5, 2021: www.elkost.com is back

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Featured titles

  • Eternal Life of Liza K., a novel by Marina Vishneventskaya

    Rights sold:  Russia - AST 

    Winner of the 2017 Znamya literary magazine prize

    The title of Vishneventskaya's novel indeed resembles that of the "scandalous" biography of Angela Merkel The First Life of Angela M., but in fact its ideological and informative parameters are much closer to French political novels of the mid-19th century, with political views of the author intertwined within the story itself.

    The plot of the novel is set in Moscow and Berlin in 2012 to 2015. The protagonist, Liza Karmannikova, after a series of events in her private life, comes to the realization of her involvement into  a socio-political life of her country, and this awareness becomes the important attribute of her world view. But, unlike the old French novels, there is no conflict, especially insoluble, in “Eternal Life ...”, but there is an expressive story about the “unpretentious” young woman narrated in a figurative, rhythmic language.

    Liza K. is a single mother, she is 28 years old, and works for a travel agency where she is engaged in “creating a corporate image, doing public relations tasks, advertising, and other completely indecent bullshit like commenting on hotel websites”. Liza lives in the moment and she's completely uninhibited. That's how the exposed side of her life looks like. However, her inner world is far more complex and interesting: Liza is a sophisticated intellectual, she's well-read, versatile and educated, she has a sharp and swift mind, and she's prone to ironic analysis and self-analysis. Brought up with the ideals of dignity and personal freedom, Liza gets along with these ideas in a very peculiar way. Quite expectedly, her inner (eternal) life is more important, more meaningful for her than her social one; but Liza has long outgrown the "romantic worldview" (which asserts the intrinsic value of individual's spiritual life), and is quite adequate to our time when material well-being has also became an essential value.

    According to the author, the novel is about a young woman “whose simple life was smashed and torn to pieces by a stern reality. She just wanted to be happy, but found herself in a situation when she needs to change everything, and emigrate to Germany. Suddenly she realized that her brother was killed in battle, and she should do something, should draw some conclusions. In most general terms, my novel is about thirty-year-olds in Russia today, about their thirst for truth and justice in the time of everyday lies, fake news, total propaganda, hybrid and real wars. It's about their willingness to resist, to fight against forces that separate the nations. Still, my novel is also about love, at least about a passionate search for love.”

    Our beloved author Marina Vishnevetskaya wrote a very modern novel Eternal Life of Liza K. which is so fresh in its intonations, language, and narrative attitude. Her book is about a power of life capable of overcoming a thick darkness and utter hoplessness surrounding us today in politics, in personal and family relations, and even at work. In our poor literary garden full of weeping and wailing over the unfulfilled hopes, a lilac bush has suddenly appeared. And burst in blossom! -- Maya Kucherskaya, a literary critic

    Read more...
  • Two sisters and Kandinsky, a novel by Vladimir Makanin (2011)

    Rights sold:

    Makanin’s novel Two Sisters and Kandinsky (2011) is a special genre structure based on the sophisticated play of classical and modern hybrid forms. Besides the genre definition as “a novel” stated by the author and specifying it as “a scene of life” oriented to Balzac genre form, the reportage and essays inclusions are significant in the novel as well. Dramatic code is actualized there not only in its classical variant, but also in the form of puppet theatre, contemporary talk-show, and other genres of film and television.

    In Makanin's previous novel about the Chechen War, Asan (2008), the concept of "betrayal" had a structure-forming function. His next novel Two Sisters and Kandinsky (2011) placed the concept of "betrayal" into the context of a story of an individual human being and of the Russian society of the 20th century, when a snitch (betrayer) was the most important figure in the state. In Makanin's prose, in contrast to the narrow political interpretation widespread in the society, almost all types and kinds of betrayal are present: starting from betrayal in personal relations between a man and a woman, betrayal of a friend, violation of a social contract, betrayal of a strata or a state, and coming to the most terrible in the opinion of the writer ego-betrayal, i.e. oblivion of one's ideals and principles (the most terrible in the opinion of the writer). We may affirm that the dyad "loyalty – betrayal" is the core in Makanin's world view, and "loyalty" is almost of a sacred character, and "recovery" of the society is possible only if it returns to a new "sacrum".

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