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Articles
Title
Ulitskaya in Helsinki and Stockholm, October 22-25, 2015
Elena Kostioukovitch in Moscow, October 5-8, 2015.
Elena Kostioukovitch´s book at the Frankfurter Buchmesse, October 16 and 17, 2015
Elena Kostioukovitch in Lviv, Ukraine, Sept. 11-13, 2015
Ludmila Ulitskaya in Tallinn, Estonia - Sept. 11, 2015
Sept.9, 2015: Ludmila Ulitskaya´s lecture in Riga, Latvia
Guzel Yakhina's Zuleikha Opens Her Eyes - Book of the Year 2015
Why Italians Love to Talk About Food at the World EXPO 2015
May 8, 2015: Ludmila Ulitskaya´s lecture in Berlin
GRANTA magazine featuring Ulitskaya
JUST PUBLISHED: The House That... by Mariam Petrosyan in Spain
Andrei Bitov became laureate of the 2015 Platonov Award
Alexei Makushinsky wins Russian Literary Award
Ludmila Ulitskaya and Elena Kostioukovitch in Venice at the Incroci di Civiltà festival
Vladislav Otroshenko in Venice at the Incroci di Civiltà festival
Alexei Makushinsky presents his Steamship to Argentina at the Salon du livre de Paris
JUST PUBLISHED: Auntie Mina by Maya Kucherskaya in Macedonia
JUST PUBLISHED: Why Italians Love to Talk about Food by Elena Kostioukovitch reedited in Italy
Presentation of Elena Kostioukovitch´s Sette Notti in Milan, Italy
JUST PUBLISHED: Boris Nossik's Anna and Amedeo in Italy

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Featured titles

  • Non-Memoirs by Yuri Lotman

     Rights sold: World English - Dalkey Archive Press, Italy – INTERLINEA, Spain – GRANADA UNIVERSITY PRESS, Turkey - ALFA

    One afternoon in December 1992, in Tartu, Estonia, Yuri Lotman reluctantly sat down to dictate his memoirs to Elena Pogosian, his assistant, over a pot of tea. Before his wife, Zara Mints, died in 1990, he had promised her that he would write the story of his life, and it was in memory of her that he embarked on a project he found disagreeable. This December afternoon was the first of twelve dictation sessions during which the initial draft of Non-Memoirs was created between them. The sessions were spread out over that winter and into the spring of 1993—the last spring of Lotman’s life. He could no longer write himself, due to a series of debilitating strokes and the weakness brought on by kidney cancer, and so had grown accustomed to the process of dictation and transcription by means of which he produced Non-Memoirs and his final theoretical works, the largest of which is a collection of essays called Culture and Explosion.

    In its published form, Non-Memoirs is divided into seven sections of varying length. The five shorter sections concern themselves with a single anecdote or theme (lice on the front, an encounter with a hare, a “totally Bulgakovian” episode, a visit from the KGB, Tartu School politics); the two longer sections provide the narrative backbone of the memoirs, tending to treat the passage of time, rather than a single event (school and frontline life, the end of the war and postwar university life).

     

    Read more...
  • Girls, a novel by Ludmila Ulitskaya (2002)

    Rights sold: Finland - SILTALA, France – GALLIMARD, Germany – VOLK UND WELT, Hungary – MAGVETO, Israel – LIBROS, Japan - GUNZOSHA, Romania – HUMANITAS, Russia - EKSMO, AST, Serbia - PAIDEIA

    The novel is divided into chapters that seem short stories, but form part of a single plot and feature the same characters:

    1. A Gift from Above;

    2. Unfamiliar Children;

    3. The Foundling;

    4. The second March, a certain Year;

    5. The Chicken Pox;

    6. The unfortunate, happy Kolyvanova

     

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