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News

List of articles in category News
Title
JUST PUBLISHED: Ludmila Ulitskaya's Imago / The Big Green Tent in Lithuania
JUST PUBLISHED: Viktor Shklovsky's Sentimental Journey, ZOO, and The Third Factory in Poland
JUST PUBLISHED: Yuri Buida's Poison and Honey in Serbia
Ludmila Ulitskaya in Grenoble, France, May 28, 2016
Ludmila Ulitskaya in Lyon, France, May 29, 2016
Ludmila Ulitskaya in Turin, Italy, May 13, 2016
Ludmila Ulitskaya in Milan, Italy, May 10, 2016
Elena Kostioukovitch in Russia, May 17-21, 2016
JUST PUBLISHED: Ludmila Ulitskaya's Funeral Party in Japan
JUST PUBLISHED: Grigory Oster's Funny Math Problem Book in Estonia
Guzel Yakhina´s presentations and other events of the 2016 Lodnon Book Fair
JUST PUBLISHED: Maya Kuchesraya's Auntie Mina in Italy
JUST PUBLISHED: The House That... by Mariam Petrosyan in France
JUST PUBLISHED: Oleg Dorman's The Note in Latvia
JUST PUBLISHED: Why Italians Love to Talk about Food by Elena Kostioukovitch in Bulgaria

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Elkost International literary agency

Featured titles

GREAT-GRANDAD GRISHA’S YARD, collected stories by Vladislav Otroshenko (2010)

Rights sold:  China - Waiguo Wenyi (magazine rights), Lithuania – Metai (magazine rights), Hungary - Nagy Vilag (magazine rights), Slovakia - Svetovej Literatury (magazine rights), Serbia – Reč (magazine rights), Russia – Art House Media

Main theme of this collection of short stories by Vladislav Otroshenko is memories of the author about his childhood years spent in his native region near river Don, where Iranian, Greek, Roman, Turkic, Mongolian and Slavic traditions mixed freely. Otroshenko masterfully mixes reality with self-invented myths, using a number of unconventional techniques in order to introduce nonlinearity into his works.

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Russian Marmalade, collected plays by Ludmila Ulitskaya (2005)

Rights sold: France - GALLIMARD, Germany - HENSCHEL, Russia - EKSMO, AST

Collection of plays for theater ("Russian Marmalade", "My Grandson Benjamin", and "The Seven Saints from Bruho Village").

Russian Marmalade is a play clearly created in dialogue with Anton Chekhov’s «Cherry Orchard». The play’s heroes live in the same kind of old house with the same cherry trees growing all around, only the cherries themselves get made into jam to be sold to provide the owners of the home with their sole means of survival. It is the end of the twentieth century and Russia has changed course yet again as the old system crumbles.

None of the doors close and the electricity does not always work, but mobile phones are busy ringing all the time. The sentimental Chekhovian girl in this play, it turns out, works round the clock for an erotic phone line, unsuspected, it seems, by her...

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