Featured titles
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The Prussian Bride, collected stories by Yuri Buida (1998)
Rights are handled on behalf of Editions Gallimard
Rights sold: Estonia - Loomingu Raamat, France – Gallimard, Hungary – Kalligram, Poland – Czytelnik, Russia - NLO, EKSMO, AST, Slovakia – Kalligram, Spain - AUTOMATICA, UK/US – Dedalus
Apollon Grigoriev Prize 1999
Rossica Translation Prize 2005 (translation by Oliver Ready)
The Prussian Bride, unfolds a strange hodge podge of blunt fiction and fantastical hallucination. The action in the thirty short stories of the collection takes place in the area of Kaliningrad, where the writer was born back in 1954. The writer depicts the daily life of forlorn, mortified, alcoholic or sick locals who are haunted by the fantasy of a lost paradise. Dark and tragic accounts sliding along from rational to imaginary.
Each of Yuri Buida’s short stories gathered here explore the territory between the Vistula and Niemen which once used to be eastern Prussia. The myth of a glorious past left its marks in the Kaliningrad area, he former Königsberg, but its inhabitants’ daily life is cold, dark and violent. Material and emotial misery is rampant, and violence is not only physical. The tone of this anthology, dedicated to the memory of a territory is absolutely tragic. Several recurring characters appear in this collection of thirty short stories, so that it can almost read like a novel. It definitely brings to mind the romanticism of E.T.A Hoffman, sprinkled with Russian excessiveness. “Chapters” in Buida’s novel display a wide variety of genres and styles, from fantasy and the grotesque to a stern (even cruel) realism. The author demonstrates plot ingenuity and a masterful use of shock effects.
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In Love with a Pencil, essays by Sasha Okun (NF)
Rights sold: Russia - SLOVO
The book was created as a textbook on pencil drawing techniques for beginners and professionals, but it is in fact something much more broad and interesting than just a manual on drawing. It is rather a manual on artistic perception of reality.
"All great masters of the past regardless of their main craft, be it sculpture or painting, were great draftsmen: Rubens, Rembrandt, Matisse, Picasso, Moore, Rodin... Drawing is the foundation, the cornerstone of any visual art. There's an endless amount of books and manuals about the art of drawing. Among them, there are bad, good, and very good ones. The question is, why write yet one more? The fact is that regardless of their quality, all of these books answer the question "how"? Some of them are even entitled "How to draw a portrait (landscape, model, still life, hands, etc.)." However, in my humble opinion, every "how" depends on"what" and "why". These "what" and "why" define the "how" on every stage of creative process, from initial choice of format to the techniques used to achieve the desired result.This book is an attempt to discuss a multitude of drawing-related issues from the point of view of artistic goals set by draftsmen, to take a look at artistic techniques and devices not as of something that exist abstractly and independently, but as of instruments, of means for achieving the goal, and of means that are an integral part of this goal, because in visual art "what" and "how" are inseparable.Still, any book regardless of its genre - be it a textbook, a memoir, a novel, or a tour guide - should fist and foremost make an interesting read. As Alexandre Dumas put it once, "all genres are good, except the boring." This commandment of the great novelist and culinary specialist is more important to me than purity of the genre. So, there a bit of everything in my book: analysis of the works by great masters of the past, practical advice, reflections, memories, anecdotes, and my thoughts about art accumulated over more than forty years I've been teaching people to draw." - writes Okun in a preface to In Love with a Pencil.
Surprisingly, the book conceived as a drawing manual turned out to be a tutorial on the vision of the world in all its diversity. Of course, this book will be extremely valuable and useful to artists, especially for beginners. But at the same time, it will be of use to everyone seeking to expand his general vision of life. Today's literary market is like a food store where dairy, meat, fruits, and booze each belong to its department. Same with books: there are a separate shelves for fiction, educational literature, philosophy, technical books etc. Everything is sorted out by its genre. Okun's book is rare product, a piece that does not fit into one single category, but to many. For publisher, such a non-standard books is a great challenge, but for readers it’s a rare joy. -- Ludmila Ulitskaya
Original languages: Hebrew, Russian. Around 55.000 words, color illustrations.
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