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News

Articles
Title
JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Lithuania
JUST PUBLISHED: Ludmila Ulitskaya's Yakov's Ladder in Sweden
JUST PUBLISHED: Ludmila Ulitskaya's Daniel Stein, Interpreter in Bulgaria
Guzel Yakhina in Germany, June 2017
JUST PUBLISHED: The House That... by Mariam Petrosyan in English
Writer Elena Rzhevskaya dies at 98
JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Italy
JUST PUBLISHED: Ludmila Ulitskaya's Discarded Relics in France
JUST PUBLISHED: Marina Palei's Choir in Spain
JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Netherlands
JUST PUBLISHED: Elena Kostioukovitch's Why Italians... in China
JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Germany
JUST PUBLISHED: Guzel Yakhina's Zuleikha Opens Her Eyes in Estonia
Days of Russian Literature, Literaturhaus Zurich, 24-26 February 2017
Lire Magazine named Mariam Petrosyan's The House That the best fantasy book of 2016

Page 5 of 24

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Featured titles

  • THE KINGDOM OF AGAMEMNON, a novel by Vladimir Sharov

    Rights sold:  Bulgaria - SONM, Russia - AST, World English - NYRB

    The novel’s title refers to the Greek tragedy of Agamemnon who, after his return from Troy, was killed by Aegisthus, the lover of his wife, Clytemnestra. The King of Agamemnon follows Nikolai Zhestovsky, a researcher and philosopher, whose modern life in the twentieth century, including current-day Russia, begins to mimic Agamemnon’s ancient tragedy. Critics praised Sharov’s last work for its profound philosophical reflections and unexpected historical parallels.
    The novel sold 10,000 copies in Russia.

    Read more...
  • All Over Again, a foodie travelogue by Sergei Parkhomenko (NF)

    Rights sold:  Russia - CORPUS

    It took me as many as thirteen years to write the fifty-six sketches that make up this book. I first wrote something in this peculiar genre in 2004 and the latest of these texts came along in 2017.

    I have always felt that gastronomy was a very important and in a sense fundamental branch of human knowledge. And not just because the gastronomic experiences, as someone aptly phrased it, are a unique conglomerate of sensations supplied by all five human senses – taste, smell, sight, hearing, and touch – and in this regard only sex can fully compete with them.  Another source of its importance is that gastronomy quite naturally turns out to be a literally undrainable source of incredibly fascinating snippets from people’s lives.

    The workings of all five senses leave five distinct imprints in your memory. Coming together and superimposing, they are the only thing capable of creating a truly vivid, three-dimensional picture of a minute that flew by once upon a time and maybe even of a full day that was once lived.

    It turns out that I am not writing gastronomical sketches; rather I am infinitely adapting and readapting the story about the evanescence of all that exists, the story that unfolds again and again, in different circumstances and various shapes.

    Oddly enough, every such experience turned out to be firmly tied not only to a specific year, a point on the time axis, but also to another point – on the geographical map.

    I know it may sound absurd, flippant, even grotesque, but hear me out: a thing meant to be put on a plate and eventually end up in a stomach, turns out to be a universal fabric tying together time and space.

    Original language: Russian. Around 350.000 words.

    Read more...

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