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News

Articles
Title
JUST PUBLISHED: Ulitskaya's Girls and Poor Relatives in Romania
Ulitskaya's Daniel Stein, Interpreter in Czech Republic
Ulitskaya's Daniel Stein, Interpreter in Freiburg theater, Germany
JUST PUBLISHED: Ulitskaya's Under the Green Tent in Poland
Three of our authors are on the short list of Big Book award
Server maintenance works: possible email delivery interruptions
Ulitskaya and Bitov in Akademie der Künste, Berlin - April 18-19, 2013
JUST PUBLISHED: Grigory Oster's Tale with Details in Estonia
JUST PUBLISHED: Yuri Lotman's titles in Italy and Turkey
JUST PUBLISHED: Alexey Nikitin's ISTEMI in the UK
JUST PUBLISHED: Grigory Oster's Tale with Details in Japan
JUST PUBLISHED: Vladislav Otroshenko's Gogoliana in Russia
Fazil Iskander is nominated for the 2013 Nobel Prize in Literature
Ulitskaya at the lit.COLOGNE Festival, Germany, 6-16/03/2013
Russian CULTURE TV channel presents a documentary about Ludmila Ulitskaya

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Featured titles

  • Harbin Moths, a novel by Andrei Ivanov (2013)

    Rights sold: Estonia - VARRAK, Russia - AST

    Winner of the 2014 NOS Literature Award

    Andrei Ivanov’s ‘Harbin Moths’ is a bewitching novel about Russians living in Estonia in the period between the World Wars, and about their resting point, Tallinn, or Revel as it was known Russian-style. The central character, artist and art photographer Boris Rebrov is a refugee who as a seventeen year old retreated with Yudenich’s North-western Army from Russia to Estonia. On the journey – somewhere in Estonia’s border regions – his parents and little sister die from typhus, the memory of which haunts him. As a photographer Rebrov tries to capture places of former happiness which have been forever lost, he projects his lost hometown of St. Petersburg on to Tallinn, and at the same time catches, as if intentionally, moments which weren’t intended to last - dreams not the truth; spaces and light, not people.

    The novel deals in general terms with that period of Estonian history, and the community of Russians who fled there as a result of the October Revolution, who lived in a kind of no-man’s land, in a peculiar parallel reality, which nevertheless overflowed with action, ideas and émigrés; Russian businessmen, speculators, smugglers, actors, artists, politicians, writers, journalists. In the context of the Estonian republic’s fragile independence, this was a time of historical limbo, when people wandered in a strange and still unknown country and physical space. Those two spaces – the Estonian republic and the peculiarly alienated parallel reality – rarely coincided.

    Rebrov receives letters from Harbin, Manchuria, from a community of stateless Russians who are members of a Russian fascist party, whose ideas are just as absurd and destructive as the ghostly lilac-coloured moths flying out of the book and leaflet boxes. Rebrov’s companions, with whom he has intermittent contact, could also call themselves moths, searching through suffering for fame or oblivion, flapping in a blaze of ideas or in a cocaine haze.

    When war breaks out again the artist leaves Estonia for Sweden with a new identity.

    Rebrov is both a refugee and an internal exile who asks the question ‘what is really man’s destiny? A spider’s web woven into a many-layered pattern, and the more relatives and friends a person has, the closer he is bound in and the more surely he stands; I have no one at all; sometimes it seems as if I don’t even exist.’ In the novel this same theme of human fate is woven into history’s remorseless twists and turns.

    A sense of what is happening in the surrounding world is given through a view of Rebrov’s inner world, and in places through his diary: in the highly powerful combination of the encounters he has, his reflections, the blaze of creativity, the pain of loss, and the letters he receives and poems he reads. Against the historical background the novel contains a strong allusion to the present day and a wide, universal, generalisation on the refugee, whenever or wherever he may be. A thread which runs through the novel is a particular question about injustice.

    In this novel the reader is captivated by a disturbed, despairing, oppressive, grotesquely displaced reality, and the language in turn creates a magical world.

    Read more...
  • Sonechka, a novella by Ludmila Ulitskaya (1995)

    Prix Médicis (1996, France)
    Literature Prize Giuseppe Acerbi (1998, Italy)

    Rights sold: Bulgaria - COLIBRI, Chile - LOM, China - KUN LUN, Beijing Publishing Group, Czech Republic - HUMANITARIAN TECHNOLOGIES, Croatia - SYSPRINT, Egypt - AL KARMA BOOKS, Estonia - TANAPAEV, France - GALLIMARD, Finland - SILTALA, Germany - VOLK UND WELT (LUCHTENHAND LUEBBE), The Netherlands - DE GEUS, Hungary - MAGVETO, Iran - WHALE, Israel - AM OVED, Italy - E/O, Japan - SCHIN ZHO SHA, Korea - GIMM-YOUNG, Latvia - Zvaigzne ABC, Lithuania - KYTOS KNYGOS, Norway - BAZAR, Poland - PHILIP WILSON, Portugal - CAMPO DAS LETRAS, CAVALO DE FERRO, Romania - HUMANITAS, Russia - EKSMO, AST, Serbia - PAIDEIA, Slovakia - VYDAVATELSTVO SSS, Spain - ANAGRAMA, Sweden - NORSTEDTS, Taiwan - LOCUS, Turkey - AD KITAPCILIK, USA - SCHOCKEN, Vietnam - NHANAM

    The heroine, Sonechka, reveals a love and loyalty at once astounding in its generosity and grotesque in its pathos. Sonechka so loves her husband and their life together, that she accepts what many would find unthinkable. In her novel Ulitskaya covers the tumultuous terrain of relationships and love in 20th-century Russia. While some details are time- and place-specific, the characters' motives and feelings rise to the universal.

    "Ulitskaya brilliantly evokes resilient characters, showing us the Russian soul as transformed throughout its complicated history." (Kirkus Review)

    Read more...

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