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THE KINGDOM OF AGAMEMNON, a novel by Vladimir Sharov
Rights sold: Bulgaria - SONM, Russia - AST, World English - NYRB
The novel’s title refers to the Greek tragedy of Agamemnon who, after his return from Troy, was killed by Aegisthus, the lover of his wife, Clytemnestra. The King of Agamemnon follows Nikolai Zhestovsky, a researcher and philosopher, whose modern life in the twentieth century, including current-day Russia, begins to mimic Agamemnon’s ancient tragedy. Critics praised Sharov’s last work for its profound philosophical reflections and unexpected historical parallels.
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The novel sold 10,000 copies in Russia. -
The Prussian Bride, collected stories by Yuri Buida (1998)
Rights are handled on behalf of Editions Gallimard
Rights sold: Estonia - Loomingu Raamat, France – Gallimard, Hungary – Kalligram, Poland – Czytelnik, Russia - NLO, EKSMO, AST, Slovakia – Kalligram, Spain - AUTOMATICA, UK/US – Dedalus
Apollon Grigoriev Prize 1999
Rossica Translation Prize 2005 (translation by Oliver Ready)
The Prussian Bride, unfolds a strange hodge podge of blunt fiction and fantastical hallucination. The action in the thirty short stories of the collection takes place in the area of Kaliningrad, where the writer was born back in 1954. The writer depicts the daily life of forlorn, mortified, alcoholic or sick locals who are haunted by the fantasy of a lost paradise. Dark and tragic accounts sliding along from rational to imaginary.
Each of Yuri Buida’s short stories gathered here explore the territory between the Vistula and Niemen which once used to be eastern Prussia. The myth of a glorious past left its marks in the Kaliningrad area, he former Königsberg, but its inhabitants’ daily life is cold, dark and violent. Material and emotial misery is rampant, and violence is not only physical. The tone of this anthology, dedicated to the memory of a territory is absolutely tragic. Several recurring characters appear in this collection of thirty short stories, so that it can almost read like a novel. It definitely brings to mind the romanticism of E.T.A Hoffman, sprinkled with Russian excessiveness. “Chapters” in Buida’s novel display a wide variety of genres and styles, from fantasy and the grotesque to a stern (even cruel) realism. The author demonstrates plot ingenuity and a masterful use of shock effects.
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