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Post-Soviet Mausoleum of the Past. History in times of Putin. Collected essays by Kirill Kobrin, 2017
Rights sold: Russia – NLO
"I am convinced that the period of history known as “post-Soviet” in Russia is over. This is why the personalities and processes of the previous period are no longer relevant. They are still in the news, and they still act, sometimes dangerously, but discussing them is as relevant as discussing laws passed by pre-revolutionary premier Pyotr Stolypin in 1919. Today’s changes aren’t as quick and catastrophic as they were then, but then history doesn’t repeat itself, not even as farce.
The old post-Soviet project, once relevant back in 1991, is over. It has achieved its aims
What has changed? The public agenda. The hierarchy of what’s important and what’s not for Russian society. What is appropriate and desirable. And, most importantly, the project of the present and the past. The old post-Soviet project, once relevant back in 1991, is over. It has achieved its aims. It’s just that nobody’s rushing to pronounce what has happened as the “natural, logical results” of this process.
Maybe now it’s time to sum up (tentatively, of course,) the results of Russia’s post-Soviet project — this is what this series of essays is devoted to. The post-Soviet project began with a public gesture of rejection of Soviet ideology. It ended when it drowned in the pseudo-ideological swamp of conservatism. Ideology, culture, public life in general, these are the things we must concentrate on to understand what happened in 1991-2016.
In this book, I look at the history of Soviet ideology, which was allegedly spurned by the freedom-loving Soviet peoples in the late 1980s, and which supposedly formed the foundation of the “Soviet empire.” I also discuss what happened to this ideology, discuss the possibility of new ideologies, and draw some conclusions about the state of the public mind in modern Russian society".
See excerpts from Kirill Kobrin´s History in times of Putin in English at openDemocracy project:
https://www.opendemocracy.net/en/odr/death-of-post-soviet-project-in-russia/
https://www.opendemocracy.net/en/odr/welcome-to-post-post-soviet-era/
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Zero Issue (Numero Zero) - 2015
Rights sold: Russia - CORPUS BOOKS
Those who follow the various titbits around the Italian writer’s literary output might remember that after finishing The Island of the Day Before, Umberto Eco began writing a novel about a group of journalists who start a daily newspaper. In search of popularity and influence, the editors of the rag concoct false sensations not unlike the bored intellectuals from Foucault’s Pendulum who spawn a monstrous fictional plan of the world domination. After two years of work, Eco abandoned the novel to write Baudolino, which also dealt with lies, mythmaking and forgeries, albeit in the medieval setting.
Prof. Eco did manage to finish Numero Zero, and it was published by Bompiani in January, 2015. Although the main setting of the novel is Milan in 1992, the book also touches upon the mysteries and tragedies of the 1970s: the clandestine NATO operation Gladio, the notorious Masonic lodge Propaganda Due, the failed neo-fascist coup Golpe Borghese, the terror of Red Brigades, and the death of Pope John Paul I. On top of that, Eco’s book tells about "corrupt secret services, massacres and red herrings" as well as "a shocking plan". The novel was presented at the Frankfurt Book Fair with the English title That’s the Press, Baby..., referring to the famous last words of Humphrey Bogart’s character in Deadline.
A mish-mash of journalists who cobble together a daily paper concerned not so much with information, but blackmail, mudslinging, and cheap stories. A paranoid staff writer who, roaming round a hallucinatory Milan (or hallucinating in a normal Milan), reconstructs fifty years of history in the light of a sulphurous plot built around the putrefying corpse of a pseudo Mussolini. In the shadows lurk the secret right-wing organization known as Gladio, the P2 Masonic lodge, the supposed murder of Pope John Paul I, the coup d’état planned by Prince Junio Valerio Borghese, the CIA, red terrorists manoeuvred by the secret services, and twenty years of slaughter and smoke screens. A set of inexplicable events that seem pure fantasy until a BBC programme proves they are true, or at least that the perpetrators have confessed to them by now. A corpse that suddenly shows up in Milan’s narrowest and most disreputable street. A tenuous love story between two born losers, a failed ghost writer and a disturbing girl who in order to help her family has dropped out of university to specialize in gossip about romantic attachments, but who still cries when she listens to Beethoven’s Seventh. A perfect manual of bad journalism in which the reader gradually begins to wonder whether it is all make believe or simply true to life. A story that unfolds in 1992, a year that foreshadowed many mysteries and follies of the successive twenty years, just as the two protagonists think that the nightmare is over. A bitter and grotesque episode that takes place in Europe in the period spanning the end of the war and the present day – and one that will leave the reader feeling every bit as much of a loser as the two protagonists.
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