Featured titles
-
Eisen, a novel by Guzel Yakhina (2025)
Rights sold: Croatia - HENA, Czech Republic - PROSTOR, Estonia – TANAPAEV, France - NOIR SUR BLANC, Germany - KANON VERLAG, Hungary - HELICON, Italy - E/O, Netherlands - QUERIDO, Poland - NOIR SUR BLANC, Romania - HUMANITAS, Russia - AST, Serbia - LAGUNA, Spain - ACANTILADO, Turkey - ALFA, World English - EUROPA EDITIONS UK/USA, World Arabic - RASHM
Sergei Eisenstein remains among the most famous and revered figures in the history of world cinema. His masterpieces Battleship Potemkin, October, ¡Que viva México!, Ivan the Terrible, and the destroyed Bezhin Meadow, have been vigorously studied and became – along with most of Eisenstein’s theoretical writings – an integral part of the programs of all film schools. Naturally, anyone who pretends being a cinema connoisseur has at least once seen one or two of Eisenstein’s movies.
Eisenstein, who was a famous movie director and theorist, wrote a lot about the art of cinema, about himself and his contemporaries, and left after himself a huge archive of drawings and diaries, thus reliably fixing his place in history. However, Sergei Eisenstein has never been a main hero of any work of literary fiction. Guzel Yakhina's novel is the first literary biography of the legendary director whom his closest friends nicknamed Eisen.
Yakhina tells Eisenstein's personal story through the process of making films, from the first to the last; the movements of his artistic soul, the conflicts and other circumstances that shaped Eisen's personality are examined through the prism of the his main passion, and masterfully woven into a vivid fabric of artistic text.
Eisenstein's creative process is the nerve of her narrative covering his entire life against the backdrop of wars and revolutions that shook the world in the first half of the 20 century. The people surrounding Eisen – his family, colleagues, women, bosses, actors, – are all involved in his mono-performance. Yakhina’s protagonist seeks and finds ways to always remain in the center of attention, to evoke strong feelings he so desperately needs; he manipulates the emotions of both his loved ones, and of the audience.
A literary biography created by Yakhina not only explores the nature of Eisenstein’s personality and genius. By bravely expanding the boundaries of her narrative, she analyzes the nature of art in a totalitarian state. Eisenstein reaches the pinnacle of self-expression by subjugating History, which is exactly what the young Soviet state demanded: to give the masses a new History that would replace the old, outdated one. Having once discovered the main secret of cinema and other visual arts, – “people believe what we show on the screen, so what we show eventually converts into the truth”, – Eisen develops and perfections his own artistic method consisting in triggering a strong emotional response in his viewers, and ingeniously realizes the concept of art under totalitarianism, replacing critical perception of reality by an invented, cinematic reality. According to Yakhina, the price paid by Sergei Eisenstein for this secret knowledge, for the power he gained over the audience, and for resulting world fame is quite similar to that of Dr. Faustus's.
Read more... -
All Our Lord's Men, a novel by Ludmila Ulitskaya (2005)
Shortlisted for the Big Book National Literary Award (2006, Russia)
Rights sold: Finland - SILTALA, France - GALLIMARD, Germany - HANSER, Hungary - MAGVETO, Iran - SALESS PUBLICATIONS, Korea - EULYOO, Romania - HUMANITAS, Russia - EKSMO, AST, Serbia - PAIDEIA
Ever since this book appeared in Russia, it was an overwhelming success. Each Ulitskaya's book is a case by itself, a step forward and towards the new territories of prose. Similar to her other title published lately (Daniel Stein), in this work the Author matures towards a kaleidoscopic vision of destinies of different people, a wide tapestry of the modern life composed of the lives of people around her. In her interviews, the Author on several occasions stated that she «never invents anything», and that all her plots, no matter how extraordinary and fantastic they may seem, happened to somebody she knows: she just manages to penetrate the pattern of their lives. This book is exactly the result of such God’s eye vision of modern Russia, being a novel composed of various episodes that constitute an integrated plot, giving a complex picture of Putin’s Russia, both vivid and unique. Musing, erotic, tightly woven and acute – truly it is staple Ulitskaya’s prose at its’ best.
“The author remains in the middle, exactly midway between the observer and the observed. He ceased to be of interest to himself. Basically he remains part of the observed, not involved and selfless. What a wonderful game can start when the distance from one’s own becomes so far! …
The small people of our Lord observe all this looking up. They admire, fight, kill and kiss. Paying no attention whatsoever to the author.”
Read more...