ELKOST International literary agency - Ulitskaya's Daniel Stein, Translator comes to Italy

A launch of Ludmila Ulitskaya's DANIEL STEIN, TRANSLATOR novel in Italy is scheduled for January 27, 2010.

Daniel Stein, Traduttore
ROMANZO BOMPIANI, 2010
Translated from the Russian by Emanuela Guercetti
Editor and project supervisor - Elena Kostioukovitch

Featured titles

TIERRA ADELANTE! a novel by Andrei Kofman

Rights sold: Russia - SOFIA

Winner of the DREAM BOOK National Literary Award (2006, Russia)

A breathtaking story of Spanish colonization of the Americas. Adventure novel for children and young adults by Andrei Kofman

It was in the first part of XVIth century. A new continent was already discovered, and people began to call Europe THE OLD WORLD as opposed to a NEW one, which to many seemed to be full of mysteries and enchantment, a promised land of unimaginable wonders capable to fulfill any human desire. Precisely in search of these miracles Spanish noble marquise Don Alonso de Santillana and his anecdotic crew composed exclusively of whitebeards and cripples sale towards the New Lands. An aged romantic crackpot, a knight errant and passionate lover of chivalry novels, Don Alonso winds up his rich Sevillian estate, and uses all his dough to fit up a ship and to organize an expedition to a New Continent. He and his crew are consolidated by overwhelming belief in miracles of the New World, while all reasonable-minded inhabitants of Seville make merry over their craze.

Don Alonso de Santillana proved to have more luck than his compatriot Don Quixote. Together with his brave crew he managed to discover a multitude of never before explored islands and countries. More important of all, with their very own eyes they saw all the marvels of the world: the giants, who turned out to be wild but quite peaceful folk, the beautiful female warriors, amazons, whom Don Alonso's personal barber revealed all the secrets of Old World beauty and cosmetic culture. On their journey the travelers run into a race of dog-headed people, saw live headless people, sea sirens, dragons etc. Finally they made it to their destination and bathed in the magical water of the Spring of the Eternal Youth, recovering their young age and beauty. Unfortunately, they were the last ones who had an opportunity to enjoy the miracle: a local Indian who showed them to the Spring destroyed it in order not to share this marvel with cruel conquistadores.

Each of Don Alonso's companions finds the most desired, and each one of them is compensated deservedly. Rejuvenated marquise finds his Dame, and only these two are permitted to pass through the gates of the Earthly Heaven. Captain Sancho, a passionate sea wolf, chooses to stay forever on his ship. And Padre Galindo, a monk, lives a long and fruitful life and writes down a chronicle of their miraculous journey.

TERRA ADELANTE! by Andrei Kofman is an adventure novel following the best traditions of the genre. His book features a richness of detail, while it's tonality and rhythmical pattern are close to a modern young reader. Informational "inserts" into a novel's narrative body (as author himself claims, these might be omitted while reading) represent the most interesting and sometimes unexpected historical facts and explanations. For example, Kofman explains the origins of $ symbol and what connection it bears to a national coat-of-arms of Spanish Kingdom, or describes the evolution of geographical maps and why Middle Age navigators were always finding not what they were looking for. Author gives a detailed account of real conquistador's expeditions in search of magical creatures and their discoveries.

For example, did you know that

the longest river in the world was named by Spanish conquistadors Amazon River after a mythical ancient nation of all-female warriors?
the name California was taken by Spanish conquistadors from XVI-century popular chivalric romance ‘Espladián’s Adventures’?
the Fountain of Youth, a legendary spring that reputedly restores the youth of anyone who drinks of its waters, is said to be located in Florida, and stories of the fountain are dating back to Spanish conquest time?

Just the Plague, a screenplay by Ludmila Ulitskaya (1988, 2020)

Rights sold: France - GALLIMARD, Germany - HANSER, Hungary - MAGVETO, Italy - LA NAVE DI TESEO, Iran - HOUPAA BOOKS, Poland - WYDAWNICTWO LITERACKIE, Romania - HUMANITAS, Russia - AST, Sweden - ERSATZ, World English - GRANTA

The EBRD Literature Prize 2022 Shortlist

Ludmila Ulitskaya’s novelized screenplay Just the Plague, written in 1988 and first published in 2020, is based on real-life events when an epidemic of pneumonic plague was averted in December 1939. Three people died, but it could have claimed many more lives. Ostensibly about a medical plague, the real plague is the Stalinist police state which, with its trials, executions and banishments, had got completely out of hand. This is a hard-hitting, precise and powerful evocation of the time, with obvious relevance to the present state of Russia and the present pandemic.

The manuscript was politically unpublishable for many years, and it was only when sorting through her papers during the coronavirus lockdown that Ulitskaya came across it again. She found it highly topical, and comments, ‘They say that if a rifle is hanging on the wall in the first act, it needs to go off in the last act. I have written many things over the years which did not get published, but suddenly found this rifle could still fire, and not blanks either. The script is right up to date.’

The protagonist, Rudolph Mayer, is a microbiologist, who works on developing a vaccine in a lab in Saratov. Due to his own negligence he becomes infected with the deadly disease moments before he is summoned to Moscow to present a report on his findings. His concerns about not being quite ready are brushed off. Mayer says goodbye to his girlfriend and baby daughter and boards the train. He falls ill upon arrival at a hotel, having created a chain of potentially infected people along the way.

What follows is a historically accurate account of the urgent measures taken by the Soviet authorities to contain the spread of the lethal virus. All efforts are thrown into tracing Mayer’s journey from Saratov to Moscow, locating everyone with whom he came into contact. Shortly after, ominous black cars disperse in various directions in the middle of the night, to collect the potential victims of the virus. Unspoilt by justice of the Stalinist regime or clarity of information, people immediately assume that they are being arrested. Some already know what to pack to take with them, their relatives are in shock but not surprised. One of the characters willfully denounces her partner in fear for her own life. Another character - a military official - shoots himself.

But even life defined by fear and violence leaves space for the generosity of human spirit and the ability to sacrifice. Doctor Sorin immediately recognizes Mayer's symptoms, and isolates with the dying patient, knowing that he would very soon die too. He writes a letter to Stalin pleading for a release of his wrongly imprisoned brother. The doctor’s final gesture is as poignant as it is pointless: it is highly unlikely that the letter will ever get to its mighty addressee, for reasons not exclusively related to the plague.

Eventually, with impressive speed, all the dots are joined and potential carriers are placed under quarantine in hospital. The story ends when quarantine is lifted. It’s early spring and the church doors open for the Easter service. It’s a new life, and life, whatever it might be, goes on.

Ulitskaya’s prose is known for its minimal introspection, and her literary voice is similar in tone to John Steinbeck, Doris Lessing and Julian Barnes. She appears detached and 'stays behind the camera', yet Just the Plague is not simply an exhibition of human reactions to a crisis. What we observe makes us ask ourselves about our own reactions. What is essential to me right now? Do I seek comfort in being controlled? Am I prepared to take responsibility or make a sacrifice? In a world where we work so hard to minimize suffering or discomfort of any kind, can we remain compassionate? Of course an epidemic of a deadly disease is not unheard of in human history. And now that we are in the midst of it, perhaps this is our chance to truly comprehend its effect on us, our future, and on our future relationship with authority. Today, when we are all affected by something we know so little about, it’s hard to find a more topical read.

‘Ulitskaya’s idiosyncratic, fragmentary structure succeeds in capturing the oppressive atmosphere of that time precisely’ -- Frankfurter Allgemeine Zeitung

‘In some societies, it can be a comfort when it is just the plague [i.e. when the plague is reason for detention]. These and other scenes in the German edition are rendered with terse, immediate and disturbing effect, thanks to the translation by Ganna-Maria Braungardt’ -- Süddeutsche Zeitung

‘A sarcastic and macabre hymn of praise to the Soviet secret police, who stopped the plague from spreading, thereby showing how widely it had already poisoned society’ -- Ingo Schulze

‘A grimly good book’ -- Frankfurter Rundschau

Ulitskaya's Daniel Stein, Translator comes to Italy - 08/01/2010

Featured titles

TIERRA ADELANTE! a novel by Andrei Kofman

Just the Plague, a screenplay by Ludmila Ulitskaya (1988, 2020)